BENJAMIN DEAN TAYLOR, composer
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 Electric Breakdance (Flex version)

4 part Flex Ensemble with audio track
(works great for virtual bands or string orchestras)
Grade 1.5
(grade 1 ranges and a perfect introduction to 6/8 meter)

√ Play-along audio track
√ Short solo opportunities
√ Short improvisation opportunities
√ Ready for bandlab.com or soundtrap.com

Offers several short solo or soli passages with written line or optional improvisation.  Students can easily play along with their parts on the audio track. 

Audio track can quickly and easily be brought into bandlab.com or soundtrap.com and students can record their parts.  No click track is needed because the track is already so pulse oriented.

Picture




Photo used with permission by Mike Winkelmann.

RECORDING
Benjamin Taylor Music · Electric Breakdance (Band with audio track)

This is the audio track used in performance, without the live band
Benjamin Taylor Music · Electric Breakdance (band version)Performance Track

Electric Breakdance is part of a larger suite of six works titled "Blue Dot Collection." 
The idea for this suite of pieces came from discussions with many of my instrumental music educator colleagues regarding the noticeable lack of compound duple and triple meter works for young band and orchestra.  We all agreed that teaching compound meter was not really more challenging than simple meter, but few works exist to apply the skills learned. I find pride in the number of pieces I have commissioned for young band and my good friend Benjamin Taylor seems up for most of my wild composition ideas. I approached him with the idea that the members of Blue Dot Collective could each write a new work in a variety of compound meters; 3/8, 6/8, 9/8, and 12/8, and score them for young band as well as string orchestra. What came from this idea was six wonderfully creative works for young band and string orchestra now known as the Blue Dot Collection. The six works range in difficulty from grade .5 to grade 2. Each work fits the limits of range, length, and rhythmic complexity typically found in simple meter works of the same difficulty level. My students have enjoyed the challenge that each piece presents, but also find them to be creative twists on the young band composition model. I know your students will enjoy them as much as mine and you will find a new passion for young band and orchestra literature.

Samuel Fritz, band director at Center Grove Middle School Central, Greenwood, Indiana. 

PERUSAL SCORE
electricbreakdanceflex_score_perusal.pdf
File Size: 2344 kb
File Type: pdf
Download File


PROGRAM NOTE
What would the music sound like in a dance club on an alien planet?  This piece is inspired by that question after I saw an awesome image my friend created of an alien sitting in a giant robotic mech with long legs.  The alien looks smug and relaxed - ready to cut some serious dance moves with the flick of his finger on the mech controls!

TECHNICAL NOTE - electronic audio track
The electronic audio track is required in rehearsal and performance.  This work is intended to be as easy and straight-forward as possible for the ensemble director.  It can be performed without any special equipment such as microphones, interfaces, mixing board, earbuds, click track, etc.  Simply download the electronic track onto a laptop or any portable device that will play back audio and connect that device to speakers.  The piece is as simple as hitting play and then following the tempo of the electronic track.

The ideal setup for performance will have a stereo pair of speakers facing the audience (placed on the right and left side of the lip of the stage), and monitor(s) onstage for the conductor and ensemble.  During performance, it will be helpful to have an assistant to start the track (and also ride the faders at a mixing board, if available).  The track must be able to be heard by the audience at an equal dynamic level to the ensemble so that they are heard as one mega-instrument.

It will be helpful for the ensemble director to give all of the ensemble members their own personal copy of the track so that they can get familiar with it and practice with it individually.  Distribution of the track in this way is authorized with purchase of this
work. The ensemble rehearsal room will need to have the ability to play the electronic track on stereo speakers so that the conductor (and ideally the ensemble members) can hear the electronics even during the loudest sections.

Email [email protected] to request a copy of the performance track.

PERFORMANCE NOTE - instrumentation
This work is intended to provide a successful performance for young bands of all sizes and all instrumentations.  So even if your band has a very funky and untraditional instrumentation the electronics will fill in the sound and provide the students and audience a satisfying, well balanced sound in rehearsal and performance.

Purchase

Please click in the field below to select PDF or hard copy purchase options.  Then provide band director name, email address, and School/Institution name and click "Add to Cart."
Purchase options
Band director name and email
School/Institution name
For all other payment arrangements, please email [email protected]


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  • Home
  • Biography
  • Works
    • Orchestra >
      • Flex Works
      • Snitchin' in the Kitchen (grade 3 with audio track)
      • Electric Breakdance (string orchestra)
      • Aurum Tetra (Saxophone Quartet Concerto)
      • Aurum Tetra (string quartet concerto)
      • Worlds Without End
      • Dizzy Overture
      • Mile-High City (string orchestra)
      • Leaving White
      • Leap (chamber orchestra)
      • Drifting Indigo
    • Wind band >
      • Flex Works
      • Grade 1 Concert Band
      • Grade 2 Concert Band
      • Grade 3 Concert Band
      • Grade 4 Concert Band
      • Grade 5 Concert Band
      • Concertos
      • Band + Audio Track
      • Band + Video
      • Other
    • Jazz Big Band >
      • Player One Press Start (jazz)
      • Baby Jack's Blues
      • Can I See Your Socks
      • Chocolate Covered Cherries
      • Concerto por Trombonito
      • Garapan
      • High Road
      • No Improv Monday
      • The Greasy Toaster
      • White Cliffs of Dover (arr.)
    • Choir >
      • Little Lamb (SATB choir)
      • Eternity's Heirs
    • Saxophone(s) >
      • Aurum Tetra (Sax Quartet Concerto)
      • Get More Epic!
      • Metal Lizard Shift (solo bari)
      • Digital Goldfish (Sax Quartet)
      • Drum N Bari
      • The Secret Life
      • Shipbreaking
      • To Raise Up
    • Flute >
      • Powder Jam
    • Bass Clarinet >
      • Drum N Bass Clarinet
    • Bassoon >
      • Drum N Bassoon
    • Trumpet >
      • Chunk of Plumbing
      • FLOW (tpt + track)
      • Stop.Rewind.Play. (solo + video)
      • Now You Will ... (solo)
    • Trombone(s) >
      • Funky Bone (trombone choir)
      • Beyond Coincidence (trombone choir)
      • A Call for Courage (trombone choir)
      • Can You Crack It? (solo and tape)
    • Euphonium >
      • Metal Lizard Shift
      • Bitcoin's Bull Run (euph+EA)
      • FLOW (euph + EA)
      • Drum N Euph (euph + EA)
    • Tuba >
      • Party Potatoes (concerto + band, grade 3)
      • Metal Lizard Shift
      • Drum N Tuba
    • Contrabass >
      • First Punch
      • FE26 (contrabass + electronics)
      • Digital Assistant
      • 7 Million Results
    • Percussion >
      • Silounds
      • Standard Literature (ensemble)
      • Unrepeatable Expression (ensemble)
      • Non-REM Sleep
    • Piano >
      • All That Remains (Piano + Electronics)
    • Chamber Works >
      • Panic Later (mixed quartet)
  • Contact
  • Dixieland Band
  • Family
  • Resources
  • Commissions
  • Invoice Payment