BENJAMIN DEAN TAYLOR, composer
  • Home
  • Biography
  • Works
    • Orchestra >
      • Flex Works
      • Snitchin' in the Kitchen (grade 3 with audio track)
      • Electric Breakdance (string orchestra)
      • Aurum Tetra (Saxophone Quartet Concerto)
      • Aurum Tetra (string quartet concerto)
      • Worlds Without End
      • Dizzy Overture
      • Mile-High City (string orchestra)
      • Leaving White
      • Leap (chamber orchestra)
      • Drifting Indigo
    • Wind band >
      • Flex Works >
        • Electric Breakdance (grade 1) with audio track
        • Pandemic Pandemonium (grade 2)
        • Earth Resonance (grade 3 with audio track)
        • Intermountain Underground (grade 3 with audio track)
        • Snitchin' in the Kitchen (grade 3 with audio track)
        • Legos Emit Gnarly Overtones (grade 2 with audio track)
        • Techno Blade (grade 2) with audio track
      • Electric Breakdance (grade 1) with audio track
      • STACK (grade 1)
      • Legos Emit Gnarly Overtones (grade 2 with audio track)
      • Techno Blade (regular version, grade 2) with audio track
      • Pandemic Pandemonium (grade 2)
      • A Flicker in Time (grade 2.5)
      • Scooter Time (grade 2.5)
      • Player One Press Start (grade 2.5 with audio track)
      • Party Potatoes (concerto + band, grade 3)
      • A Father's Hymn (grade 3)
      • Epic Bacon Funk (grade 3)
      • Intermountain Underground (regular version, grade 3 with audio track)
      • Into The Mist (grade 3)
      • Maze of 1000 Mirrors (March, grade 3)
      • Motorcycle Time (grade 3)
      • Our Puzzle (grade 3)
      • And May We Always Cherish (Grade 3)
      • The Hope Within (grade 3)
      • The Excitement of Fear (grade 3.5)
      • Another Day in the Park (grade 4)
      • Chinese Fire Drill (grade 4)
      • Cold Lights (band+video) (grade 4)
      • Mile a Minute (grade 4)
      • Seeds of Glass (band+video) (grade 4)
      • Shattering Infinity (grade 4)
      • Powerhouse (grade 4)
      • Trailing Clouds Of Glory (grade 4)
      • With Wings As Eagles (grade 4)
      • Leaving White (grade 5)
      • Whiz-Bang (grade 5)
      • Shattering Infinity (marching band)
    • Jazz Big Band >
      • Baby Jack's Blues
      • Can I See Your Socks
      • Chocolate Covered Cherries
      • Concerto por Trombonito
      • Garapan
      • High Road
      • No Improv Monday
      • The Greasy Toaster
      • White Cliffs of Dover (arr.)
    • Choir >
      • Little Lamb (SATB choir)
      • Eternity's Heirs
    • Saxophone(s) >
      • Sax Quartet Concerto Consortium Commission
      • Get More Epic!
      • Digital Goldfish (Sax Quartet)
      • Drum N Bari
      • The Secret Life
      • Shipbreaking
      • To Raise Up
    • Bass Clarinet >
      • Drum N Bass Clarinet
    • Bassoon >
      • Drum N Bassoon
    • Trumpet >
      • Chunk of Plumbing
      • FLOW (tpt + track)
      • Stop.Rewind.Play. (solo + video)
      • Now You Will ... (solo)
    • Trombone(s) >
      • Funky Bone (trombone choir)
      • Beyond Coincidence (trombone choir)
      • A Call for Courage (trombone choir)
      • Can You Crack It? (solo and tape)
    • Euphonium >
      • Metal Lizard Shift
      • Euph + Drum Set CONSORTIUM
      • Bitcoin's Bull Run (euph+EA)
      • FLOW (euph + EA)
      • Drum N Euph (euph + EA)
    • Tuba >
      • Tuba + Drum Set CONSORTIUM
      • Party Potatoes (concerto + band)
      • Drum N Tuba
    • Contrabass >
      • First Punch
      • FE26 (contrabass + electronics)
      • Digital Assistant
      • 7 Million Results
    • Percussion >
      • Silounds
      • Standard Literature (ensemble)
      • Unrepeatable Expression (ensemble)
      • Non-REM Sleep
    • Piano >
      • All That Remains (Piano + Electronics)
    • Chamber Works >
      • Panic Later (mixed quartet)
  • Contact
  • Dixieland Band
  • Family
  • Commissions
    • Rock Band Concerto Consortium Commission
  • UMBS Presentation

CONSORTIUM COMMISSION OPPORTUNITY

UPDATE!  SEE DETAILS HERE

  • 6-8 minutes duration
  • Energetic, rhythmically intricate, riff based duet between tuba/euphonium and live drum set
  • 2 versions, one for euphonium soloist and drums, and one for tuba soloist and drums will be created
  • Consortium will consist of euphonium players, tuba players, and percussionists.  All are invited!
  • Medium-advanced difficulty (suitable for college level and up)  See composer's work FLOW as an example
  • Drum set part will be live (with a prerecorded audio track of the drums forthcoming)
  • Delivered to consortium members August 1, 2022
  • Buy-in price is $50 for students and $125 for professionals and $250 for a teaching studio (multi-user license)
  • Final date to join consortium is July 31, 2022.
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So what will this piece be like?

So there I am talking to John Caputo at the Midwest clinic and I say, "I know this might sound crazy, but I've always wanted to write a piece for euphonium or tuba and heavy metal drum set.  You know, totally knock people out of their seats."  And to my surprise he says, "YES!  We HAVE to do this!  DONE!"  And so here we are. 

I've wanted to write this piece for several years now.  I LOVE the rhythmic intricacy in metal - the crazy time signatures, the riffs that feel "off" yet so satisfying.  I'm all about that.  Sitting in recitals and hearing the same old pieces, I'm ready for something different - something unexpected, something novel and just plain old FUN.  Heavy metal euphonium/tuba and drum set?  Oh h*** yeah!  (that was heck) he he. 

Imagine ending your next recital with this - you come on stage and you've got your euphonium or tuba amplified and maybe you even borrowed your friend's guitar pedal board and so you've experimented with some sweet live effects, and you shred some killer virtuosic lines like an electric guitar player all the while your friend on drums is killing it with a kicking double bass pedal... that's what this piece is... 

Here are some of my influences, just to name a few of my favorites; ANIMALS AS LEADERS, MESHUGGAH, and THE ALGORITHM. 
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Benefits to Consortium Members

  • Name will be displayed on the cover of the published score
  • Right to give regional premiere performance (may list in your CV as "consortium premiere")
  • Exclusive performance rights for 1 year before the work is released publicly.
  • Build connection and community among network of euphonium/tuba death metal enthusiasts!

Consortium Directors - Dr. Andy Rummel and John Caputo

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Dr. Andy Rummel is Professor of Tuba and Euphonium at Illinois State University in Normal, Illinois. A native of Delavan, Illinois, Andy received his Bachelor of Music Education and Master of Music Performance degrees from Illinois State University in Normal and his Doctorate of Musical Arts degree from the University of Illinois in Champaign-Urbana. Andy is the principal tubist with the Heartland Festival Orchestra and has performed with the Peoria Symphony Orchestra, the Illinois Symphony and the Virginia Symphony. Prior to his arrival at Illinois State, Andy was the principal tubist with the United States Air Force Heritage of America Band and the Heritage Brass Quintet located at Langley AFB in Virginia. Andy has been a featured guest soloist with the Heartland Festival Orchestra, the Vermont Youth Philharmonia, the Prairie Wind Ensemble, the Rockford Wind Ensemble, the Brass Band of Central Illinois as well as with many high school bands and orchestras throughout the Midwest. He has been a featured recitalist at many international and regional tuba-euphonium conferences has served as an adjudicator for several international and regional tuba solo competitions.

In addition to his performing credentials, Andy is also the musical director/conductor of the Illinois State University Tuba and Euphonium Ensemble. The ensemble was featured performers at the 2015 and 2013 Midwest Regional Tuba and Euphonium Conferences as well as the 2015 and 2013 International Conferences for the National Association for Professional Band Instrument Repair Technicians. The tuba-euph ensemble was the first ensemble of its kind to perform at the Illinois Music Educators All-State Music Conference in 2011 and was invited to perform again in 2016. This ensemble has recorded for Mark Custom Records and has been invited to perform at three International Tuba and Euphonium Conferences. For recordings and more information, please feel free to check out the studio YouTube channel: www.youtube.com/isutubaeuph

Recent graduates of the tuba and euphonium studio are performing professionally in military bands and orchestras, teaching at universities, and are employed as music educators around the country. Illinois State tuba-euphonium students have been semifinalists in the International Tuba and Euphonium Conference (ITEC) Artist Solo Tuba Competition and the ITEC Chamber Ensemble Competition. In 2016 a studio member won third place in the Artist Solo Tuba division of the prestigious Leonard Falcone International Tuba and Euphonium Competition. Illinois State University tuba and euphonium students have won several competitions at regional tuba and euphonium conferences and have been finalists and semifinalists at several prestigious military band auditions. Feel free to “like” the Illinois State Tuba and Euphonium Studio on Facebook to learn more about upcoming performances and student successes.

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John Caputo is an internationally recognized euphonium soloist, trombonist, and conductor based in San Antonio, TX.  He's in nationwide demand as a soloist, a private instructor, a clinician, and chamber musician.  Additionally, he's the music director and conductor for the Austin Brass Band, a traditional British Brass Band based in Austin, TX.

John's Story
​
"So what do you want to play?"

"Trumpet."

"You sure you don't want to play euphonium?"

"No, I want to play trumpet."

"But we need a euphonium player."

"...ok, fine.  What's a euphonium?"

That's how it all started, more or less, in a band room in the wilds of Northwest Oregon.  Thirty years later, I'm performing as a euphoniumist, trombonist, and conductor all over the country.  Life's weird, man.​


Buy-in to join consortium

To become a consortium member, please click in the box below to select your membership level then click "Buy Now".  You may select to receive the completed piece by PDF or hard copy.  (Hard copy delivery options include free shipping to continental USA only)
Buy-in Options

Questions?  email Consortium Directors
Andy atrumme@ilstu.edu or John thecapoots@gmail.com

Want a taste of what else Benjamin Taylor has written for euphonium or tuba?  Check out these solos!
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About the Composer - Benjamin Dean Taylor

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The music of Benjamin Dean Taylor (born 1983), has been described as “elegant and energetic” (Kenneth Thompson) and “powerful and direct with delightful surprises in each work.” (Marilyn Shrude) Having grown up as a performer in jazz, rock, ska, country, and concert bands as well as in choirs and orchestras, Taylor is driven to write music that highlights the strengths of each performing ensemble. His catalog of more than 100 works covers a large range of styles and genres including music written for orchestra, wind band, opera, choir, jazz big band, gamelan, chamber ensembles, and soloists with live electronics. Taylor has received commissions from ensembles including the Calidore String Quartet, Omaha Symphony, Solaire Saxophone Quartet, New World Youth Symphony, and the Detroit Symphony Orchestra Civic Wind Symphony. As a sought-after composer for wind band, Taylor has been commissioned by over 75 band directors of players at all educational levels. Recently named a recipient of his third commission from the Barlow Endowment, Taylor’s prizes and honors include Winner in the 2013 Ticheli Composition Contest, a grant from the Indiana Arts Council (2015), Dean’s Prize in Composition from Indiana University (2013), BMI Student Composers Award (2011), Winner in the American Composers Orchestra Underwood New Music Readings (2012), and an ASCAP Young Jazz Composer Award (2011). Benjamin Taylor completed a doctorate degree from Indiana University and holds degrees from Bowling Green State University (MM) and Brigham Young University (BA).


Top image is titled "Euphonium" and used with permission by Otota DANA on flickr.com


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  • Home
  • Biography
  • Works
    • Orchestra >
      • Flex Works
      • Snitchin' in the Kitchen (grade 3 with audio track)
      • Electric Breakdance (string orchestra)
      • Aurum Tetra (Saxophone Quartet Concerto)
      • Aurum Tetra (string quartet concerto)
      • Worlds Without End
      • Dizzy Overture
      • Mile-High City (string orchestra)
      • Leaving White
      • Leap (chamber orchestra)
      • Drifting Indigo
    • Wind band >
      • Flex Works >
        • Electric Breakdance (grade 1) with audio track
        • Pandemic Pandemonium (grade 2)
        • Earth Resonance (grade 3 with audio track)
        • Intermountain Underground (grade 3 with audio track)
        • Snitchin' in the Kitchen (grade 3 with audio track)
        • Legos Emit Gnarly Overtones (grade 2 with audio track)
        • Techno Blade (grade 2) with audio track
      • Electric Breakdance (grade 1) with audio track
      • STACK (grade 1)
      • Legos Emit Gnarly Overtones (grade 2 with audio track)
      • Techno Blade (regular version, grade 2) with audio track
      • Pandemic Pandemonium (grade 2)
      • A Flicker in Time (grade 2.5)
      • Scooter Time (grade 2.5)
      • Player One Press Start (grade 2.5 with audio track)
      • Party Potatoes (concerto + band, grade 3)
      • A Father's Hymn (grade 3)
      • Epic Bacon Funk (grade 3)
      • Intermountain Underground (regular version, grade 3 with audio track)
      • Into The Mist (grade 3)
      • Maze of 1000 Mirrors (March, grade 3)
      • Motorcycle Time (grade 3)
      • Our Puzzle (grade 3)
      • And May We Always Cherish (Grade 3)
      • The Hope Within (grade 3)
      • The Excitement of Fear (grade 3.5)
      • Another Day in the Park (grade 4)
      • Chinese Fire Drill (grade 4)
      • Cold Lights (band+video) (grade 4)
      • Mile a Minute (grade 4)
      • Seeds of Glass (band+video) (grade 4)
      • Shattering Infinity (grade 4)
      • Powerhouse (grade 4)
      • Trailing Clouds Of Glory (grade 4)
      • With Wings As Eagles (grade 4)
      • Leaving White (grade 5)
      • Whiz-Bang (grade 5)
      • Shattering Infinity (marching band)
    • Jazz Big Band >
      • Baby Jack's Blues
      • Can I See Your Socks
      • Chocolate Covered Cherries
      • Concerto por Trombonito
      • Garapan
      • High Road
      • No Improv Monday
      • The Greasy Toaster
      • White Cliffs of Dover (arr.)
    • Choir >
      • Little Lamb (SATB choir)
      • Eternity's Heirs
    • Saxophone(s) >
      • Sax Quartet Concerto Consortium Commission
      • Get More Epic!
      • Digital Goldfish (Sax Quartet)
      • Drum N Bari
      • The Secret Life
      • Shipbreaking
      • To Raise Up
    • Bass Clarinet >
      • Drum N Bass Clarinet
    • Bassoon >
      • Drum N Bassoon
    • Trumpet >
      • Chunk of Plumbing
      • FLOW (tpt + track)
      • Stop.Rewind.Play. (solo + video)
      • Now You Will ... (solo)
    • Trombone(s) >
      • Funky Bone (trombone choir)
      • Beyond Coincidence (trombone choir)
      • A Call for Courage (trombone choir)
      • Can You Crack It? (solo and tape)
    • Euphonium >
      • Metal Lizard Shift
      • Euph + Drum Set CONSORTIUM
      • Bitcoin's Bull Run (euph+EA)
      • FLOW (euph + EA)
      • Drum N Euph (euph + EA)
    • Tuba >
      • Tuba + Drum Set CONSORTIUM
      • Party Potatoes (concerto + band)
      • Drum N Tuba
    • Contrabass >
      • First Punch
      • FE26 (contrabass + electronics)
      • Digital Assistant
      • 7 Million Results
    • Percussion >
      • Silounds
      • Standard Literature (ensemble)
      • Unrepeatable Expression (ensemble)
      • Non-REM Sleep
    • Piano >
      • All That Remains (Piano + Electronics)
    • Chamber Works >
      • Panic Later (mixed quartet)
  • Contact
  • Dixieland Band
  • Family
  • Commissions
    • Rock Band Concerto Consortium Commission
  • UMBS Presentation